Hens Lay Eggs
food for thought
How to correctly solicit a freelance writer, editor, or book provider
I come across a lot of “I need a proofreader/editor/ghostwriter” type of posts that leave me cold. Many are so vague I automatically dismiss them as scams. However, if you have a manuscript you want written or a manuscript you want edited, then there’s a smart way to find a writer or an editor. It all begins with posting your project on the proper platform. There are many. Options include:
- The Editorial Freelancers Association
- Gotham Ghostwriters
- Reedsy
- All Freelance Jobs
- Freelance Writing Job Board
- Writers Work
- Upwork
- Fiverr
- And many more …
Understand that platforms like Upwork, Fiverr, Textbroker, WriterAccess, Freelancer.com, etc. cater to what I call lowest common denominator projects. Low-budget clients populate these platforms, and low-bid vendors vie for those projects in a race to the bottom. They’re predatory and exploitive and teeming with scammers on both the client and vendor sides.
Let’s be candid: you can find someone to write or edit your content anywhere. If you go to any social media platform and post something saying you want to hire a freelance writer or editor, then you’ll receive a plethora of responses from mostly unqualified, unskilled vendors, many of whom will be scammers who want to take your money and run without doing any work.
Safeguard yourself and avoid wasting time—your time and vendors’ time. That requires specifics. You don’t have to reveal your story or idea in its entirety. That’s not necessary. You should provide the following basic information:
- Type of service. Do you know what service you need? If so, specify it. If not, do some research and figure it out.
- Fiction or nonfiction? This is a basic distinction, as most writers and editors specialize.
- Genre. If your nonfiction project a how-to, memoir, inspirational piece, or something else? Is your fiction project mystery, fantasy, romance, science fiction, young adult, children’s literature, or something else? Be as specific as you can here, and if your project spans genres, then list those genres. If your project contains explicit, NSFW (not suitable for work) content, then specify that, too. Professional writers and editors will not bid on work that does not suit their skills and interests.
- Length. This refers to word count, not the number of pages or chapters. If you’re hiring a ghostwriter, then provide an estimated word count.
- Deadline. If you don’t have a deadline for delivery, say so; however, if you do, then mention that. Responses from vendors may indicate that your deadline is unreasonable and should be pushed back. Use that information to adjust your schedule or your expectations accordingly. Vendors who cannot accommodate your deadline will not bid on your project.
- Budget. This is really important. Before throwing a monetary figure out there, get an idea as to what you should expect to spend. The Editorial Freelancers Association publishes a guideline to professional editing and writing rates based on what its members actually charge. Understand that these rates may exceed your budget, which means you’ll either have to save up until you can afford skilled professional services, arrange a payment plan with a vendor of choice, or adjust your expectations accordingly. Vendors who will not accept the budget for your project will not bid on it.
The purpose of providing all that information is to avoid wasting your time and the vendor’s time. Professionals will not bid on projects that don’t suit them; therefore, you won’t waste your time reviewing proposals that don’t meet your requirements.
When you do come up with a short list of likely candidates for hire, you’ll want to assure yourself of a good match. That means asking for samples.
To hire an editor, ask for a sample edit. A sample is just that: a sample ranging from 500 to 1,500 words. A sample edit demonstrates how the editor will treat your work and informs the editor of how much work your content needs. The editor may adjust his or her fees accordingly, because a hot mess of a manuscript requires a lot more time and effort and skill to edit than does one that’s clean and well-written. (HINT: Save yourself some money and submit only your best work for editing.)
To hire a writer, ask to see writing samples. A professional writer will have a portfolio of published work you can read to determine if you like his or her writing style. Do not request the writer to write content for you as a sample unless you’re willing to pay for that sample: that’s considered unpaid work and exploitive—a huge red flag that you’re not a client that writer wants.
Another facet of hiring a professional writer or editor is a contract. A pro will offer you a contact that explains the service being hired, the parameters of the project, the fees to be charged (and paid), and the deadlines (guaranteed or estimated) for completion, terms for delivery, and terms for terminating the contract. Understand that sometimes a deadline isn’t feasible, such as with ongoing work like editing a series of articles that have yet to be written.
One last thing: communication. It’s been my experience that any potential client who wants to communicate with me via Skype chat, Telegram, or WhatsApp is a scammer. Some like to communicate via Facebook Messenger or LinkedIn’s messaging, but I prefer to move them off that platform as quickly as possible because it’s clunky and inconvenient. Facebook Messenger, I’ve found, is another favorite purview of scammers. I offer clients access to me via telephone and email. Anything else is unnecessary.
Are you looking for skilled, professional service in writing, editing, proofreading, or book design? If so, contact me at henhousepublishing@gmail.com. Don’t forget to visit my portfolio of work.
Every word counts.
Taking a seat on the bandwagon: Looking back at the previous year
It’s common at the beginning of each new year to see posts and articles reflecting upon the previous year. These are usually accompanied by cheerful wishes for success, happiness, and prosperity in the coming year.
These posts generally engage my cynicism because, for most of us, few particular years are all good or all bad. Even 2021, the year my son died, wasn’t uniformly terrible. There were bright spots.
So, reflecting on 2023: overall it was disappointing. Business was down; however, wasn’t the only freelance writer and editor who suffered a sharp downturn in business (and income). So, like my also unfortunate colleagues, I hustled more. Whether they, too, netted the same disappointing results as I did I don’t know. Whether they managed or are beginning to manage to climb out of the slump, I don’t know.
I do know I made some mistakes that cost me dearly. I will try not to repeat those mistakes.
However, 2023 wasn’t all doom and gloom.
I published four books:
- Russian Revival
- Double Cut
- Champion of the Twin Moons
- Single Stroke.
I was hired to write a fifth book, The Bounty, which was published by 0-0-8 Studios. Thus far, reviews on them trend toward the positive.
I acquired some wonderful clients.
I packed my weekends with events. From April through December, I worked more often than not at craft shows and book fairs, selling books and paintings. Or, to be more accurate, selling books and trying to sell paintings. My best friend accompanied me to most of them. I am grateful for her ongoing support despite our shared disappointment in the lack of sales of paintings. (The books, however, sold better than ever.)
And I made wonderful progress with my horses.
On April 1, 2020, I purchased a young gelding from a kill pen. That year, I sent the horse whom I named Teddy to a trainer after he recovered from his bout with strangles, a particularly virulent and contagious equine disease. 2021 was basically a dumpster fire of a year, but my extremely poor decision making skills that year led me to purchase a pretty Halflinger mare named Replica. In 2022 with the assistance of my best friend, I began taking short, careful rides in the barnyard with them. 2023 was the year I hit the trails with both horses.
I alternated riding them. We started with the easy trails, the mostly flat trails, the wide, well-marked trails. I always rode in company with my best friend and her trusty steed, Henry. Eventually, we graduated to riding with a third person whenever a third rider was available. That didn’t always go well, but it was always a learning experience. We practiced through necessity things like not bolting at every weird sound and dismounting then remounting on the trail. I practiced and practiced loading into and unloading from the trailer.
The horses made a lot of progress this year, and I’m really pleased with them.
Another highlight of 2023 was my younger son coming home after spending the last five years in Alaska. He and his girlfriend drove across the state, down through Canada, and across the Midwest back to Ohio. They moved in with us for a few months while they found employment and a new home. They now live about a quarter mile from us. It’s nice having them so close.
So, what will 2024 bring? Who knows?
Starting the new year with an empty plate
I’ve never been one of those hustling freelancers who is able to fill the sales funnel and load the pipeline with projects weeks or months in advance. In rare cases, I’m able to build a small backlog.
This inability may be due to my admittedly lackluster marketing abilities. Regardless, I’m beginning 2024 with an empty plate and need to fill it with paying projects.
So, why should you hire me?
Comprehensive, holistic editing. The gold standard of editing entails up to eight rounds of editing. I’ve met few independent authors who can afford that. Most not only can’t afford it, they also want to expedite the process and get it done as soon as possible. However, once-and-done editing generally isn’t sufficient. Therefore, I offer substantive editing that is comprehensive and holistic. This means I not only take a bird’s eye view of your manuscript, I also get into the nitty gritty of punctuation, spelling, and grammar. Most clients’ manuscripts go through two rounds of editing: first an intensive, deep round of editing that always results in revisions and a second, lighter round of editing mostly focused on copy errors.
Proofreading. Proofreading is the final step before publication. It puts the final polish on the content and often includes reviewing more than the text. It includes a final check and correction of photo captions, images and image placement, pagination, and page formatting.
Book design. Because I was in charge of newsletter production for past employers, I offer competence where most editors don’t: page layout. There’s more to book design than filling pages with words. The page’s appearance directly affects the reader’s experience. From font choices to margins to columns and more, I have expertise applicable to both books and newsletters.
Ghostwriting. I’m an author and my books generally receive positive reviews. I’ve written professionally for business since 1990. As writing is not a static skill, I continually learn and adapt to contemporary trends and preferences. However, if you week a well-told story or engaging article, let’s talk.
So, why would you not hire me?
You want APA, MLA, or other style and/or refernecing convention. I am also proficient with the Associated Press Styleguide and the Chicago Manual of Style. If you want APA, MLA, or some other style, then I’m not your editor.
You write horror or scholarly works. Since horror gives me nightmares, I’ll be happy to recommend your manuscript to a colleague who enjoys that genre. And I’ll be candid: academic referencing details escape me.
You have a rushed deadline. Proper, thorough editing, proofreading, writing, and book design take time. Sometimes, I can accommodate a fast deadline and quickly deliver a project. That depends upon my workload at any given time, the scope of work your project needs, and the size of the project. I don’t do “machine editing,” so your 50,000-word manuscript won’t be delivered in less than a week.
You want the cheapest service. There’s a saying that there’s cheap, fast, and good: pick two. You can’t have all three. Low-bid vendors often promise all three and deliver poor quality work. For rates consistent with what professionals in my service area charge and commensurat with the quality expected, consult the Editorial Freelancers Association. My rates are in line with these rates.
High Quality Work, Professional Service
That’s what I deliver: high quality work and professional service. It might not be as expensive or take as long as you fear.
There’s no way that I can think of to guarantee the ROI of professional editing and book design, because you can’t measure sales lost. However, your readers expect and deserve the quality of their books and newsletters and articles to be comparable to that produced by the big publishers. I can help you with that.
If you have a manuscript, magazine, newsletter, or other project needing ghoswriting, editing, proofreading, or page design services, contact me at henhousepublishing@gmail.com. Let’s talk.
Author
Hard boiled, scrambled, over easy, and sunny side up: eggs are the musings of Holly Bargo, the pseudonym for the author.
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Karen (Holly)
Blog Swaps
Looking for a place to swap blogs? Holly Bargo at Hen House Publishing is happy to reciprocate Blog Swaps in 2019.
For more information: