We use the phrase “unintended consequences” to refer to the usually negative and deleterious ramfications of decisions or actions. These consequences may surprise us, although the application of common sense suggests that we should have known better.

I have recently benefited from unintended consequences, so I’m not complaining.

My latest book, DOUBLE CUT, is the sequel to TRIPLE BURN, which was never intended to be a series starter. In fact, TRIPLE BURN didn’t do well when it was published.

The editor liked it. I liked it. The cover was great. The sub-genre crossover (science fiction reverse harem romance) was popular (and still is). It was marketed via social media and various book promotion services.

Readers didn’t like it. The most common reason I could glean was because the story had a bittersweet ending rather than an unqualifed HEA (“happily ever after”). TRIPLE BURN struggled to get ratings and reviews.

A few years later, I wrote a sequel: DOUBLE CUT. The editor loved it. I like it. The cover is great. The sub-genre crossover remains popular. It is being marketed through social media and sponsored ads on Facebook and Amazon.

Readers like it. In fact, since the debut of DOUBLE CUT, readers have been downloading TRIPLE BURN … and they’re liking it. The little book that struggled to get three reviews now has several and over 40 ratings—the majority positive.

Who would have thought that publishing a sequel to a poorly selling and poorly received book would have such a positive effect? Not I.

But I’m grateful. I am grateful for every copy sold.

The positive response to the newly named series (Triune Alliance Brides) inspires me to continue the series. So, I’ve got a third book planned for release this year—maybe even a fourth. We’ll see.

I finished writing the latest manuscript two weeks ago, and it’s in the editor’s hands. While she works her magic, I’m taking a break from writing.

I’ve learned to do that: take breaks. Hopping from one manuscript to the next in fast succession leads to burnout. So, while I’ve got a couple more ideas simmering on the back burners of my mind, I’m letting my “well of creativity” replenish itself.

What do I do during the lull between projects? I read. A lot. I paint. I watch TV. I focus on freelance work. And I do what my marketing team asks.

Their latest request was for a drafted cover blurb for the latest book, Champion of the Twin Moons, the fifth book in the Twin Moons Saga. Here’s what we’ve got:

In the enchanting world of the fae, Chastian, the gallant Champion of the Seelie Court, discovers his destined mate while visiting the Erlking—and she’s a human child.

Years pass, and Chastian eagerly awaits the day when he can claim his love and live happily ever after. But fate has other plans for them: the once-innocent child grows up and marries another, leaving him shattered and desolate.

The anguish of unrequited love proves too much for Chastian to bear, and he descends into a dark abyss of despair, consumed by sorrow and pain. His once-noble spirit becomes twisted and corrupted, turning him into a fearsome and ruthless villain.

Yet when the realm’s highest powers call upon Chastian to serve once more, he discovers a new purpose and a new mate—the daughter of his long lost love. Will she be the one to heal his wounded heart and restore his soul to its former glory?

Or will she reject him, like her mother before her, when she learns the extent of his corruption and malice?

​What do you think?

Upcoming and intended for publication yet this year are:

• The third book and maybe even a fourth book in the Triune Alliance Brides series. The general superior of Double Cut wants his story told, and I need a third story for Kaan, the third planet in the Triune Alliance.
• The sixth book in the Russian Love series. This book will focus on Battista and his thus-far-unknown lady love with the relationship between Sergio and Dr. Suzanne Petroff serving as a related subplot. One of the couples will serve as I intend for it to conclude the series.

Is there anything new coming out?

Maybe. I’ve got a few dozen unfinished manuscripts languishing on the hard drive. Of course, they’re languishing for a reason. Regardless, there are some tropes and genres I want to try out. We’ll see what happens.

In the meanwhile, keep an eye out for events. Check out my calendar. If you’re in the area where one of “my” events is being held, stop by! Let’s chat. Share a story or joke. And if you’re interested in buying a book, be sure to reserve one so I’ll have a copy ready for you.

On Wednesday, April 26, I finished the latest work-in-progress, a fantasy romance (more fantasy than romance with this one) clocking in at 93,561 words. This manuscript took me four months to draft.

I do mean “draft.” For those new to the whole publishing thing, writing the story is the easy part. It’s fun part. After the writer vomits the rough draft onto paper or the document file, editing begins. There’s a saying: The first draft is for the author; the second draft is for the editor.

After taking a deep breath and hoisting an adult beverage in celebration of finishing that particular brain dump, it’s time for a brief rest to let the mind recharge. Then comes the first round of editing: self-editing, to be precise. Like some authors, I do tend to edit as I write, so writing the first draft isn’t necessarily as onerous as it might otherwise be, but it does make the drafting process longer.

Therefore, beginning soon after finishing the rough draft, I read through the manuscript and run it through grammar checking software. I correct the errors I see—by no means all of them—and note the glaring plot holes I left behind. When I finish that, I have a second draft. Next, I address the plot holes and other areas that require substantial and substantive revision and/or rewriting. When I finish that, I have a third draft. Then comes a final review of the third draft to catch those small glitches and fix them. Ergo, I have a fourth draft.

The editor gets the fourth draft.

It’s a lot of work and it’s the process I advise authors use to ensure their editors receive content that’s not raw and unfinished. Giving your editor reasonbly polished work has two benefits:

1. You get better value from your editor who can focus on more substantive issues than correcting typos and grammar errors.
2. Your manuscript requires fewer rounds of professional editing, therefore costing the author less money.

Here’s another thing authors need to remember: editing and promotion take time. This requires knowing how to set reasonable deadlines.

• Book promotion launches around 30 to 45 days before the book’s release date.
• The marketing team needs 30 days to put together a marketing strategy. The front cover design is needed for marketing.
• Cover design takes at least a week, if not two weeks. Full cover (front, spine, back) design cannot be completed until the book has been formatted.
• Book formatting takes at least a week, if not longer.
• Schedule at least a month for editing and proofreading.  (This means the author must work promptly and quickly.)

The upshot, the author has to have a file ready for the editor at least two months before the book launches. More time is better.

So, going by my own countdown, I have actually not budgeted sufficient time for the release of Champion of the Twin Moons. This may require the release date, currently set for June 25 (my 35th wedding anniversary) to be pushed back to mid-July.

We’ll see how fast we can get things done.

While I’m waiting for the editor to work her magic, I’ll get started on the next story with a goal of releasing it at the end of October.

#writinglife #author #hollybargo