Hens Lay Eggs
food for thought
“It’s the economy.”
Financial performance of vendor participation at events this year (2024) compared to last year (2023) yields disappointment. I and my best friend, Cindra, have gone to some new events this year as well as returned to previously attended events in the constant adjustment to figure out which yield best return on investment.
Last year, Cindra and I noticed that paintings did not sell well, particularly compared to sales in 2021 and 2022. Books, however, are doing better than those two years.
So, what gives?
In discussing this with my husband, he opined that desultory sales of paintings was due to the economy. He thought it much less likely people would indulge in a luxury items like paintings when the cost of necessities like fuel, groceries, and rent has dramatically increased. In short, he said, people don’t have the discretionary income they had just a few years ago.
OK, that explains the slow sales of artwork. But the improved sales of books defies that explanation.
The fact of the matter is that people still want their little luxuries. Leisure reading or reading for pleasure constitutes a luxury. Despite competition from social media and video games and other demands for a person’s time and attention, reading remains a popular activity. Many people are still happy to buy a book.
One thing I have noticed is that I generally do better at arts and crafts shows rather than author or book oriented events. When there’s an excess of competition offering similar products, my sales of books drop dramatically. The obverse, however, does not hold true for paintings. When participating as a vendor at a book fair, paintings don’t sell well either.
This reality makes me think that my husband is correct: It’s the economy. What is comes down to is that folks with less disposable income to spend on those little luxuries will spend it on a book rather than a more expensive painting (despite our paintings being very reasonably priced).
Regardless, I will continue to participate as a vendor at various events. Not only does this serve as a personable method for engaging with and building my audience of readers, but it gets me out of the house. If I can persuade someone to take a chance on one book, perhaps that person will like it well enough to purchase more of my books. Maybe someone will recommend my books to their book club? Wouldn’t that be wonderful?
If you want to see where I’ll be next, go to my EVENTS page.
Let’s be reasonable
I found the above solicitation on freelancer.com. This is, unfortunately, not an unusual solicitation for ghostwriting services.
To those who may be new to my blog or to ghostwriting, let’s do the math and break this project down.
- The rate is $1 per 2,000 words or $0.0005 per word. That’s less than 1/2 cent per word.
- The prospective client wants anywhere from 500,000 to 1 million words.
- The average time needed to write and polish 1,000 words is three hours and 20 minutes, so 3.3 hours. (The writer you hire may be faster or slower.)
At the lower end of this project’s spectrum (500,000 words total), the ghostwriter may expect to spend 1,650 hours working on this project. The total project at the stated rate will net the writer $250. So, the writer’s expected hourly wage for this project would be $0.15.
Yes, that’s 15 cents per hour.
How is this reasonable?
Unfortunately, generative AI is driving down ghostwriting rates because anyone can type some prompts into the software and receive content within minutes. The fact that such content will be banal and much of it plagiarized from countless other documents is beside the point.
Clients such as the one offering this opportunity don’t value the craftsmanship of good writing.
If you want to write a book but don’t have the skill, time, or inclination to do the writing yourself, then hiring a ghostwriter may be a great solution for you. However, the ghostwriter must consider the realities of producing content: the time and effort necessary to research the topic, to generate the content, and to polish the content. No professional ghostwriter would consider such poor terms as this project offers, especially when the prospective client requires an initial first chapter of 2,000 words be submitted for free.
So, what does ghostwriting entail? This excellent article by Gotham Ghostwriters explains it: “Straight Talk: What to Expect About the Cost of Hiring a Ghostwriter.” The caveat to the article is that it focues on nonfiction, specifically business books. Fees for a memoir often run similarly to business books, but fiction goes for less—a lot less. Fiction depends more upon the ghostwriter’s expertise than the information which must be drawn from the client through multiple interviews and insightful questions.
Ghostwriting fiction often requires client interviews, too, but those interviews tend to be less on the “interview” side and more on the “bouncing ideas” side. For fiction ghostwriting, both Kindlepreneur and the Editorial Freelancers Association offer similar guidelines.
Of course, these rates are not prescriptive. Lesser known and novice writers tend to charge less—not the paltry amount specified by the solicitation above.
If you decide to hire a ghostwriter, there are some best practices to follow to ensure a good experience for both you and the ghostwriter:
- Review the ghostwriter’s writing samples. A professional ghostwriter will have writing samples of published work you may read to discern whether his or her style appeals to you. Do not ask the ghostwriter to write a sample for you unless you’re willing to pay the going rate for the work.
- Get a contract from the ghostwriter. If you decide to hire a ghostwriter, make sure you have a contract. The contract should establish a common understanding as to the scope of service and who is responsible for what. It should specify any deadlines, the fees for service rendered, allowed rounds of revision, payment schedule, delivery of completed work, and terms for cancellation. My contract also includes a confidentiality clause and transfer of copyright to the client.
- Remit payment promptly. Some ghostwriters charge a substantial deposit to begin work; others require payment in full prior to delivery. Regardless of the payment schedule, understand that while you may have come up with the story premise, characters, etc., the ghostwriter is doing the heavy work of developing the story. After the contract has been signed and countersigned is not the time to haggle the ghostwriter’s rates. In fact, haggling may result in quick dismissal as a client. Also, most ghostwriters work without corporate backing or a financial safety net: prompt remittance is expected and greatly appreciated.
There are many, many places where you can hire ghostwriters. From premium services aggregating freelance professionals (e.g., Gotham Ghostwriters, the Editorial Freelancers Association, Reedsy) to platforms swarming with low-bid vendors (e.g., freelancer.com, fiverr.com, upwork.com) to professional and social media sites (e.g., LinkedIn, Facebook), you’ll find an enormous range of writers eager to work on your project. When hiring a ghostwriter, it’s best to offer project specifics so as not to waste your time or the ghostwriter’s time:
- Fiction or nonfiction
- Genre or topic
- Anticipated manuscript length (word count, not page count) (For genre length guidelines, go HERE.)
- Deadline for completion
- Budget.
With this basic information, a ghostwriter will know at a glance whether the project is potentially a good fit. For instance, I don’t take on horror or academic work. If your project is a horror novel or scientific treatise, then I won’t waste my time or yours by submitting a proposal for a project I don’t want and wouldn’t do well.
If you have a story burning to be told but you haven’t the storytelling skill or time to tell it, then consider hiring a professional to tell that story for you. Will you recoup your investment? Perhaps. No ghostwriter can guarantee sales, but hiring a skilled professional will give your story its best chance to turn a profit.
Every word counts.
Tropes, cliches, and crutches for lame literary devices
On LinkedIn, a colleague who edits mysteries mentioned the usefulness of a false confessions to serve as red herrings in mystery novels. They’re clever devices that distract the reader (and the sleuth) from solving the case too soon.
I commented on her post stating that I detested the device of having the villain confess his (or her) perfidy—cue Perry Mason and Matlock here—just so the hero could arrest him and/or send him to prison, because there was no eal evidence sufficient to convict him otherwise. That last-minute confession of evildoing reminded me of the often overly elaborate plots screenwriters and authors use to enable otherwise bumbling protagonists to defeat their villains.
If you’re of a certain age and/or enjoy watching 1980s reruns of MacGyver (starring Richard Dean Anderson, not the newer version with the kid), then you’ll remember that series’ recurring villain: Murdoch. Smooth, sadistic, and overly confident in his own cleverness, Murdoch concocts scenarios of absurd elaboration when simple expedience would have succeeded with much less fuss on his part. Instead, his reliance on complexity gave MacGyver adequate time to wriggle free from whatever death trap he found himself in to go on and thwart Murdoch’s evil plans.
It’s a weary cliche repeated in Star Trek, Star Wars, every James Bond movie ever made, and many other shows and books to elevate tension and drama and afford the hero ample opportunity to win. In reality, simple expedience is much more effective.
However, in a tongue-in-cheek nod to those cliched plot devices, Peter Anspach compiled the original “Evil Overlord List.” Before “viral” referred to anything but illness-causing viruses, this took on unprecedented popularity and grew. Contributors around the world contributed to it. Other lists, perhaps inspired by this one, were published. Eventually, the rules for the evil overlord were consolidated and published here: http://www.eviloverlord.com/lists/overlord.html.
Jack Butler also developed a similar list which may be found here: https://tropedia.fandom.com/wiki/Jack_Butler%27s_Original_Evil_Overlord_List.
For those authors writing their own mysteries or other complicated plots, either list serves as a gentle and humorous warning: Don’t make things more complicated than they have to be, and common sense goes a long way toward a successful plot. If your hero digs himself into a hole, then figure out something other than the villain’s overweening hubris and penchant for complexity to fail at a critical juncture, thus allowing the hapless hero to save the day. As with accuracy in detail and doing the necessary research to ensure plausibility, this is another element of realism that genuinely ratchets up dramatic tension and forces your hero to display grit and determination as well as cleverness and reliance on sheer dumb luck.
If you’re looking for a good laugh, check out either list. They’re worth the read!
If you’re looking for a skilled ghostwriter who won’t fall into this trap or you have a story that too complicated for its own good and you need an editor with common sense to simplify it, then look me up at https://www.henhousepublishing.com. Let’s talk about your project and your expectations.
Author
Hard boiled, scrambled, over easy, and sunny side up: eggs are the musings of Holly Bargo, the pseudonym for the author.
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Looking for a place to swap blogs? Holly Bargo at Hen House Publishing is happy to reciprocate Blog Swaps in 2019.
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